The Guns of Fort Petticoat (Western 1957) Audie Murphy1:17:52

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Published on September 20, 2016

The Guns of Fort Petticoat

VIDEO 0f  The Guns of Fort Petticoat (Western 1957) Audie Murphy

The Guns of Fort Petticoat
Original film poster
Directed by George Marshall
Produced by Harry Joe Brown
Audie Murphy
Written by Walter Doniger
Based on The Guns of Fort Petticoat
1957 novel
by C. William Harrison
Starring Audie Murphy
Kathryn Grant
Hope Emerson
Music by Mischa Bakaleinikoff
Cinematography Ray Rennahan
Edited by Al Clark
Gene Havlick
Distributed by Columbia Pictures
Release dates
  • April 1957
Running time
82 minutes
Country United States
Language English
Box office $1,080,000 (US rentals)[1]

The Guns of Fort Petticoat is a 1957 Technicolor Western produced by Harry Joe Brown and Audie Murphy for Columbia Pictures. It was based on the 1955 short storyPetticoat Brigade” by Chester William Harrison (1913–1994)[2] that he expanded into a novelization for the film’s release. It was directed by George Marshall and filmed at the Iverson Movie Ranch and at Old Tucson. The working title of the film was Petticoat Brigade; screenwriter and television director Walter Doniger was originally set to have directed the film.[3] The fictional story tells the tale of an Army deserter training a disparate group of women to be Indian fighters climaxing in a Battle of the Alamotype action.


In 1864, during the American Civil War, Texan Lt. Frank Hewitt (Audie Murphy) is serving with the U.S. Cavalry under Colonel John Chivington. On patrol, Hewitt meets a group of Indians who are unarmed and returning to the Sand Creek reservation which they were not supposed to leave. While being briefed by Hewitt, the colonel orders the attack known to history as the Sand Creek Massacre. Hewitt not only disagrees with the punishment of the Indians, but realizes they will use the attack as an excuse to unite and spread terror throughout the Southwest, including his own hometown in Texas which has been emptied of the majority of its men who are fighting for theConfederacy. Colonel Chivington sees Indian attacks on Texas as a bonus to create havoc in the Confederacy. Violently objecting, Hewitt is placed under arrest and confined to quarters.

Hewitt deserts to warn the Texans but is hated and ignored as a traitor by his now Confederate former neighbors, who despise him for serving with the Union. No one believes him until he brings home the dead body of a woman murdered by Comanches who have joined the uprising. Hewitt organizes a brigade of women training them in marksmanship and combat tactics. Armed and given military ranks, Hewitt and the women seize the day and hold on to the only safety they have in an abandoned mission (The Guns of Fort Petticoat). Hewitt, the “blue belly traitor”, and the petticoat brigade face desertion from the only remaining man and fight off scavengers and Comanches as they struggle to build trust and work together during the ensuing attacks. As the final gun fight is over, Hewitt and his greatest female critic fall in star-crossed-love left over from childhood memories. But Hewitt cannot reciprocate because as an honorable soldier he must return to his post at Sand Creek and face charges for desertion. Col. Chivington’s commanding general happened to enter the trial room in the final hour as Hewitt is being renounced as a deserter and a liar about a most fantastic story of helping to rescue the women in Texas and training them to fight off Comanches. As the guilty sentence and execution is about to be pronounced, the female confederates return the favor marching armed into the trial to stop the proceeding. The commanding general, in amorous good will, orders a surrender to the armed ladies who have saved the day and proved Hewitt’s truthfulness. Hewitt’s testimony snares Col. Chivington (who is relieved of command and ordered held for trial) and his hopes in his new-found Confederate love are restored.



Murphy produced the movie through Brown-Murphy Pictures, which he had set up with producer Harry Joe Brown. On November 9, 1955, Murphy signed a contract with Brown-Murphy Pictures to appear in two films, of which this was the first. Brown wanted Murphy to make another movie; Murphy, who had the right to select stories, submitted proposals to appear in adaptations of Peer Gynt by Henrik Ibsen and The Idiot by Dostoevski. Brown accused Murphy of trying to get out of his contract and sued him for $1 million.[4]


“It doesn’t matter where a man was born. He fights for what he thinks is right.” – Lt. Hewitt


  1. Jump up^ “Top Grosses of 1957”, Variety, January 8, 1958: 30
  2. Jump up^ Herridge, Monte. “The Works of G. T. Fleming-Roberts”. Mystery File. Retrieved 2013-12-13.
  3. Jump up^ “The Guns of Fort Petticoat (1957) – Overview”. TCM. Retrieved 2013-12-13.
  4. Jump up^ “Audie Murphy Sued for $1,000,000 by Producer”, Los Angeles Times (1923-Current File) [Los Angeles, Calif] 18 Sep 1957: B1.

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