Abbott and Costello
VIDEO -Abbott and Costello – The Birthday Party http://www.happyvideonetwork.com/the-birthday-party/
|Abbott and Costello|
Abbott (left) and Costello (right) circa 1940s.
|Medium||Stand-up, television, film, vaudeville, radio|
|Genres||Word play, slapstick, deadpan|
William “Bud” Abbott and Lou Costello were an American comedy duo whose work in vaudeville and on stage, radio, film and television made them the most popular comedy team during the 1940s and early 1950s. Their patter routine “Who’s on First?” is one of the best-known comedy routines of all time and set the framework for many of their best-known comedy bits.
Bud Abbott (1897–1974) was a veteran burlesque entertainer from a show business family. He worked at Coney Island and ran his own burlesque touring companies. He first worked as a straight man with his wife Betty, then with veteran burlesque comedians like Harry Steppe and Harry Evanson. When he met his future partner in comedy, Abbott was performing in Minsky’s Burlesque shows, and had been working at least a decade before meeting Lou Costello.
Lou Costello (1906–1959) had been a burlesque comic since 1930, after failing to break into movie acting and working as a stunt double and film extra. He appears briefly in the 1927 Laurel and Hardy silenttwo-reeler, The Battle of the Century, seated at ringside during Stan Laurel’s ill-fated boxing match. (As a teenager, Costello had been an amateur boxer in his hometown of Paterson, New Jersey.) Costello was introduced to burlesque through the “Ann Corio Show“, in which he performed as a “dancing juvenile,” who came out before the top banana and warmed up the audience – only he would get the laughs.
The two men first worked together in 1935, at the Eltinge Burlesque Theater on 42nd Street—now the lobby of the AMC Empire movie complex in New York City. This first performance together occurred due to Costello’s regular partner being ill. When AMC moved the old theater 168 ft (51 m) further west on 42nd Street to its current location, giant balloons of Abbott and Costello were rigged to appear to pull it.
Other performers in the show, including Abbott’s wife Betty, advised a permanent pairing. The duo built an act by refining and reworking numerous burlesque sketches into the long-familiar presence of Abbott as the devious straight man, and Costello as the stumbling, dimwitted laugh-getter.
Movies and fame
The team’s first known radio appearance was on The Kate Smith Hour in February 1938. The similarities between their voices made it difficult for radio listeners (as opposed to stage audiences) to tell them apart during their rapid-fire repartee. To solve the problem, Costello began affecting a high-pitched, childish voice. “Who’s on First?” was first performed for a national radio audience the following month. They performed on the program as regulars for two years, while also landing roles in a Broadway revue, The Streets of Paris, in 1939.
In 1940, Universal Studios signed them for the film One Night in the Tropics. Cast in supporting roles, they stole the show with several classic routines, including the “Who’s on First?” routine. The same year they were a summer replacement on radio for Fred Allen. Two years later, they had their own NBC program, The Abbott and Costello Show. Universal then signed them to a long-term contract, and their second film, Buck Privates, in 1941 made them box-office stars and saved Universal from imminent bankruptcy.
In most of their films, the plot consisted of a framework for the two comics to reintroduce comedy routines they first performed on stage. Universal also added glitzy production numbers to capitalize on the popular musical-comedy film genre of the day, which featured such acts as Ted Lewis and his Orchestra, Ella Fitzgerald, Martha Raye, The Merry Macs, and Dick Foran, singing “I’ll Remember April” in Ride ‘Em Cowboy.
The most popular singing act in their films was that of The Andrews Sisters, and several of their films featured some of the Andrews Sisters’ most popular hits of World War Two, the Oscar-nominated “Boogie Woogie Bugle Boy“, as well as “I’ll Be With You In Apple Blossom Time“, both from Buck Privates. Bud & Lou’s sequel, In The Navy, featured crooner Dick Powell along with the Andrews Sisters, and initially out-grossed Buck Privates, with the management at Loew’s Criterion in Manhattan keeping theater doors open until 5 a.m. to oblige over 49,000 attendees during the film’s first week premiere. Hold That Ghost (which had been completed before production of In the Navy began) when first shown to preview audiences, received complaints from film-goers on feedback cards that they were disappointed not to see The Andrews Sisters, so the trio was hired and musical numbers were added to a re-edited version as a prologue and epilogue. The singing sisters became good friends with Costello during this period, enjoying many barbecues and film showings with their parents at Lou’s home throughout the early 1940s. In 1945, the two acts traded guest appearances on each other’s top-rated radio shows.
Bud and Lou made 36 films together between 1940 and 1956. They were among the most popular and highest-paid entertainers in the world during World War II. (In 1942 their earnings for the financial year were put at $789,026.
Other film successes included Keep ‘Em Flying, Who Done It?, Pardon My Sarong, The Time of Their Lives, Buck Privates Come Home, Abbott and Costello Meet the Invisible Man, and Abbott and Costello Meet Frankenstein. In the latter two films, Bela Lugosi reprised his famous role as Dracula for the final time, with Lon Chaney Jr. reprising his role as the Wolf Man. The film ended with a voice cameo by Vincent Price as the Invisible Man.
On December 8, 1941, a day after the attack on Pearl Harbor, Abbott and Costello had their prints set in concrete at what was then “Grauman’s Chinese Theatre“. In 1942, they were the top box office draw with four films, earning a total of $10 million, and remained a top ten box office attraction until 1952.
After working as Allen’s summer replacement, Abbott and Costello joined Edgar Bergen and Charlie McCarthy on The Chase and Sanborn Hour in 1941, while two of their films (Buck Privates and Hold That Ghost) were adapted for Lux Radio Theater. They launched their own weekly show October 8, 1942, sponsored by Camelcigarettes.
The Abbott and Costello Show mixed comedy with musical interludes (by vocalists such as Connie Haines, Ashley Eustis, the Delta Rhythm Boys, Skinnay Ennis, Marilyn Maxwell, and the Les Baxter Singers). Regulars and semi-regulars on the show included Artie Auerbach (“Mr. Kitzel”), Elvia Allman, Iris Adrian, Mel Blanc, Wally Brown, Sharon Douglas, Verna Felton, Sidney Fields, Frank Nelson, Martha Wentworth, and Benay Venuta. Ken Niles was the show’s longtime announcer, doubling as an exasperated foil to Abbott and Costello’s mishaps (and often fuming in character as Costello routinely insulted his on-air wife). Niles was succeeded by Michael Roy, with announcing chores also handled over the years by Frank Bingman and Jim Doyle. The show went through several orchestras during its radio life, including those of Ennis, Charles Hoff, Matty Matlock, Matty Malneck, Jack Meakin, Will Osborne, Fred Rich, Leith Stevens, and Peter van Steeden. The show’s writers included Howard Harris, Hal Fimberg, Parke Levy, Don Prindle, Eddie Cherkose (later known as Eddie Maxwell), Leonard B. Stern, Martin Ragaway, Paul Conlan, and Eddie Forman, as well as producer Martin Gosch. Sound effects were handled primarily by Floyd Caton. Guest stars were plentiful, including Frank Sinatra, The Andrews Sisters, andLucille Ball.
In 1947 Abbott and Costello moved the show to ABC (the former NBC Blue Network). During their time on ABC, the duo also hosted a 30-minute children’s radio program (The Abbott and Costello Children’s Show), which aired Saturday mornings, featuring child vocalist Anna Mae Slaughter and child announcer Johnny McGovern.
In 1951, they moved to television as rotating hosts of The Colgate Comedy Hour. (Eddie Cantor and Martin and Lewis were among the others.) Each show was a live hour of vaudeville in front of an audience, revitalizing the comedians’ performances and giving their old routines a new sparkle.
For two seasons from late 1952 to early 1954, a filmed half-hour series, The Abbott and Costello Show, appeared in syndication on local stations across the United States. Loosely based on their radio series, the show cast the duo as unemployed wastrels. One of the show’s running gags involved Abbott perpetually nagging Costello to get a job to pay their rent, while Abbott barely lifted a finger in that direction. The show featured Sidney Fields as the landlord of the rooming house in which they lived, and Hillary Brooke as a friendly neighbor who sometimes got involved in the pair’s schemes. Other regulars were future Stooge Joe Besser as Stinky, a whiny child in a Little Lord Fauntleroy suit played by the clearly adult Besser, Gordon Jones as Mike the cop, who always lost patience with Lou, Joe Kirk (Costello’s brother-in-law) as Mr. Bacciagalupe, an Italian immigrant caricature whose role varied with the requirements of the script, and Bobby Barber, who played many “extra” parts.
The simple plot lines were often merely an excuse to recreate old comedy routines including “Who’s on First?” and other familiar set pieces from their films and burlesque days. Since Lou owned the series, this allowed them to own these versions of their classic routines as well. Although The Abbott and Costello Show originally ran for only two seasons, it found a larger viewership in reruns for decades, from the late 1960s to the 1990s. The shows have also been released in three different DVD sets over the years.
“Who’s on First?”
“Who’s on First?” is Abbott and Costello’s signature routine. (They, however, usually referred to it as “Baseball.”) The sketch was based on other burlesque routines with similar wordplay. Depending upon the version, Abbott has either organized a new baseball team and the players have nicknames, or he points out the proliferation of nicknames in baseball (citing St. Louis Cardinals sibling pitchers Dizzy and Daffy Dean) before launching the routine. The infielders‘ nicknames are Who (first base), What (second base) and I Don’t Know (third base). The key to the routine is Costello’s persistent confusion over pronouns, and Abbott’s unwavering nonchalance. Audio recordings are readily available on the Internet.
Abbott and Costello began honing the routine shortly after teaming up in 1936 and performed it in vaudeville in 1937 and 1938. It was first heard by a national radio audience in March 1938, when the team were regulars on the Kate Smith radio show. By then, John Grant had been writing or adapting other sketches for the team, and he may have helped expand “Who’s On First?” prior to its radio debut. Grant stayed on as a writer for Abbott and Costello into the 1950s. One notable appearance of the sketch is from a 1951 broadcast.
“Who’s on First?” is believed to be available in as many as 20 versions, ranging from one minute to about 10 minutes. The team could time the routine at will, adding or deleting portions as needed for films, radio, or television. If they needed to fill four minutes, for example, Abbott and Costello would do four minutes’ worth of the baseball bit. The longest version is seen in “The Actors’ Home,” an episode of their filmed TV series, in which “Who’s on First?” constitutes the second half of the program. A live performance commemorating the opening day of the Lou Costello, Jr. Youth Foundation, in 1947 was recorded, and has appeared on numerous comedy albums. The team’s final performance of “Who’s on First?” was seen on Steve Allen‘s TV variety show, in 1957.
In the full-length version of “Who’s on First?”, all of the positions are mentioned except right field.
Abbott and Costello performed a special “Who’s on First?” for a USO Command Performance. This is the only known recording that Costello says “I don’t give a damn” at the end.
For a radio performance on June 20, 1945, Abbott was ill and was unable to perform on the Walgreens 44th anniversary special. Sidney Fields, in his role as Professor Mellonhead, was the “fill-in” manager in the absence of Abbott and performed the straight man role with Costello.
Both Abbott and Costello met and married women they knew in burlesque. Abbott married Betty Smith in 1918, and Costello married Anne Battler in 1934. The Costellos had four children; the Abbotts adopted two.
Abbott and Costello faced personal demons at times. Both were inveterate gamblers and had serious health problems. Abbott suffered from epilepsy and turned to alcohol for pain management. Costello had occasional, near-fatal bouts with rheumatic fever. On November 4, 1943, the same day that Costello returned to radio after a one-year layoff due to his illness, his infant son Lou Jr. (nicknamed “Butch” and born November 6, 1942) died in an accidental drowning in the family’s swimming pool. Maxene Andrews remembers visiting Costello with sisters Patty and LaVerne during his illness, and remembered how Costello’s demeanor changed after the tragic loss of his son, saying, “He didn’t seem as fun-loving and as warm…He seemed to anger easily…there was a difference in his attitude.”
During 1945, a rift developed between the two when Abbott hired a domestic servant who had been fired by Costello. Angered by Abbott’s decision, Costello refused to speak to his partner except when performing. The following year, they made two films in which they appeared as separate characters rather than as a team (Little Giant and The Time of Their Lives). This may have been a result of the tensions between them, plus the fact that their most recent films had not done well at the box office and Lou wanted to change the formula. Abbott allegedly resolved the rift when he volunteered to help with Costello’s pet charity, a foundation for underprivileged children, and suggested naming it the “Lou Costello Jr. Youth Foundation”. The facility opened in 1947, and still serves the Boyle Heights district of Los Angeles.
In the 1950s Abbott and Costello’s popularity waned as their place as filmdom’s hottest comedy team was taken by Dean Martin and Jerry Lewis. Another reason for the decline was overexposure. Abbott and Costello’s routines, already familiar, were now glutting the movie and television markets. Each year they made two new films, while Realart Pictures also re-released most of their older hits; their filmed television series was widely syndicated, and the same routines appeared frequently on the Colgate program. (Writer Parke Levy told Jordan R. Young, in The Laugh Crafters: Comedy Writing in Radio and TV’s Golden Age, that he was stunned to learn that Bud and Lou were afraid to perform new material.) They were forced to withdraw from Fireman Save My Child in 1954 due to Costello’s health, and were replaced byHugh O’Brian and Buddy Hackett. Universal dropped the comedy team in 1955 after they could not agree on contract terms. In the early 1950s, the Internal Revenue Service charged them for back taxes, forcing them to sell their homes and most of their assets, including the rights to most of their films.
In his last years, Costello made about ten solo appearances on The Steve Allen Show and headlined in Las Vegas. He also appeared in episodes of GE Theater and Wagon Train. On March 3, 1959, not long after completing his lone solo film, The 30 Foot Bride of Candy Rock, he died of a heart attack, just days short of his 53rd birthday.
Abbott attempted a comeback in 1960, teaming with Candy Candido. Although the new act received good reviews, Bud quit, saying, “No one could ever live up to Lou.” Abbott made a solo, dramatic appearance on an episode of General Electric Theater in 1961. In 1966, Abbott voiced his character in a series of 156 five-minute Abbott and Costello cartoons made by Hanna-Barbera. Lou’s character was voiced by Stan Irwin. Bud Abbott died of cancer on April 24, 1974.
|Year||Movie||Lou Costello Role||Bud Abbott Role||Notes|
|1940||One Night in the Tropics||Costello||Abbott||Film Debut, Universal|
|1941||Buck Privates||Herbie Brown||Slicker Smith||Universal, First Starring Roles|
|1941||In the Navy||Pomeroy Watson||Smokey Adams||Universal|
|1941||Hold That Ghost||Ferdinand Jones||Chuck Murray||Universal|
|1941||Keep ‘Em Flying||Heathcliffe||Blackie Benson||Universal|
|1942||Ride ‘Em Cowboy||Willoughby||Duke||Universal|
|1942||Rio Rita||Wishy Dunn||Doc||First of three films for Metro Goldwyn Mayer Studios|
|1942||Pardon My Sarong||Wellington Phlug||Algy Shaw||Universal|
|1942||Who Done It?||Mervyn Milgrim||Chick Larkin||Universal|
|1943||It Ain’t Hay||Wilbur Hoolihan||Grover Mickridge||Universal|
|1943||Hit the Ice||Tubby McCoy||Flash Fulton||Universal|
|1944||In Society||Albert Mansfield||Eddie Harrington||Universal|
|1944||Lost in a Harem||Harvey Garvey||Peter Johnson||Second MGM release|
|1945||Here Come the Co-Eds||Oliver Quackenbush||Slats McCarthy||Universal|
|1945||The Naughty Nineties||Sebastian Dinwiddie||Dexter Broadhurst||Who’s On First? from this film is featured at the National Baseball Hall of Fame, Universal|
|1945||Abbott and Costello in Hollywood||Abercrombie||Buzz Kurtis||Third and final MGM release|
|1946||Little Giant||Benny Miller||John Morrison/Tom Chandler||Universal|
|1946||The Time of Their Lives||Horatio Prim||Cuthbert/Dr. Greenway||Universal|
|1947||Buck Privates Come Home||Herbie Brown||Slicker Smith||Sequel to Buck Privates, Universal|
|1947||The Wistful Widow of Wagon Gap||Chester Wooley||Duke Egan||Universal|
|1948||The Noose Hangs High||Tommy Hinchcliffe||Ted Higgins||Eagle-Lion release|
|1948||Abbott and Costello Meet Frankenstein||Wilbur Gray||Chick Young||Universal|
|1948||Mexican Hayride||Joe Bascom/Humphrey Fish||Harry Lambert||Universal|
|1949||Africa Screams||Stanley Livington||Buzz Johnson||United Artists release|
|1949||Abbott and Costello Meet the Killer, Boris Karloff||Freddie Phillips||Casey Edwards||Universal|
|1950||Abbott and Costello in the Foreign Legion||Lou Hotchkiss||Bud Jones||Universal|
|1951||Abbott and Costello Meet the Invisible Man||Lou Francis||Bud Alexander||Universal|
|1951||Comin’ Round the Mountain||Wilbert Smith||Al Stewart||Universal|
|1952||Jack and the Beanstalk||Jack||Mr. Dinklepuss||In sepia and color; Warner Bros. release|
|1952||Lost in Alaska||George Bell||Tom Watson||Universal|
|1952||Abbott and Costello Meet Captain Kidd||Oliver “Puddin’ Head” Johnson||Rocky Stonebridge||In color; Warner Bros. release|
|1953||Abbott and Costello Go to Mars||Orville||Lester||Universal|
|1953||Abbott and Costello Meet Dr. Jekyll and Mr. Hyde||Tubby||Slim||Universal|
|1955||Abbott and Costello Meet the Keystone Kops||Willie Piper||Harry Pierce||Universal|
|1955||Abbott and Costello Meet the Mummy||Costello (erroneously listed in the film as “Freddie Franklin”)||Abbott (erroneously listed in the film as “Pete Patterson”)||Universal|
|1956||Dance with Me, Henry||Lou Henry||Bud Flick||Their final film; United Artists release|
|1959||The 30 Foot Bride of Candy Rock||Artie Pinsetter||Lou Costello only; Columbia release|
|1965||The World of Abbott and Costello||Himself||Himself||Compilation film|
Box office ranking
For a number of years Abbott and Costello were ranked among the most popular stars in the US according to the Quigley Publishers Poll of Exhibitors:
- 1941 – 3rd
- 1942 – 1st
- 1943 – 3rd
- 1944 – 8th
- 1947 – 16th
- 1948 – 3rd
- 1949 – 3rd
- 1950 – 6th (US), 2nd (UK)
- 1951 – 4th (US), 4th (UK)
- 1952 – 11th
- 1953 – 20th
- 1942: Laugh, Laugh, Laugh (Parts I and II) Victor 27737
The cartoon series was not the first time Abbott and Costello were in animation. During the height of their popularity in the 1940s, Warner Bros.‘s Looney Tunes/Merrie Melodies animation unit produced 3 cartoons featuring the pair as cats or mice named “Babbit and Catstello“. One of the cartoons, Bob Clampett’s A Tale of Two Kitties (1941), introduced Tweety. The other cartoons are A Tale of Two Mice andMouse-Merized Cat. In all three cartoons, Tedd Pierce (normally a storyman/writer for the cartoons) and Mel Blanc, respectively, provide voice impressions of the comedy duo.
The revival of their former television series in syndicated reruns in the late 1960s and early 1970s helped spark renewed interest in the duo, as did the televising of many of their old film hits. In 1994, comedian Jerry Seinfeld—who says Abbott and Costello were strong influences on his work—hosted a television special Abbott and Costello Meet Jerry Seinfeld (the title refers to the duo’s popular film series in which they met some of Universal’s famed horror picture characters), on NBC; the special was said to have been seen in 20 million homes.
In popular culture
Abbott and Costello are among the few non-baseball personnel to be memorialized in the Baseball Hall of Fame, although they are not inductees of the Hall itself. A plaque and a gold record of the “Who’s On First?” sketch have been on permanent display there since 1956, and the routine runs on an endless video loop in the exhibit area.
The comedy group The Credibility Gap performed a rock and roll update of “Who’s on First?” using the names of rock groups The Who, The Guess Who, and Yes, recorded and released on their first album, The Bronze Age of Radio. In the 1988 movie Rain Man, Dustin Hoffman‘s autistic character Raymond Babbitt recites an affectless “Who’s on First?” as a defense mechanism. NBC’s Studio 60 on the Sunset Strip (2006), a drama about life backstage at a television comedy series, used “Who’s on First?” as a plot device. On the January 13, 2001 episode of Saturday Night Live host Charlie Sheen and SNL cast-member Rachel Dratch performed a modified version of “Who’s On First?” in a sketch.
Jerry Seinfeld is an avid fan and “The Old Man (Seinfeld)” (Season 4, Episode 18, aired February 18, 1993) featured a cantankerous old man named “Sid Fields,” played by veteran actor Bill Erwin, as a tribute to Sidney Fields, the landlord from the Abbott and Costello TV show. The influence of Abbott and Costello on Seinfeld was discussed in a 1994 NBC program Abbott and Costello Meet Jerry Seinfeld. In Episode 30, Kramer hears the famous Abbott and Costello line “His father was a mudder. His mother was a mudder.”
In Robin Hood: Men in Tights, a 1993 spoof comedy directed by Mel Brooks, Dick Van Patten played the part of the Abbot. At one point, a man who looked and sounded like Lou Costello (played by Chuck McCann) yelled “Hey, Abbott!”, in exactly the same way Lou did in the Abbott and Costello movies, repeating a joke from Brooks’ Robin Hood sitcom When Things Were Rotten in which Van Patten shouted the line.
In the VeggieTales show, “Duke and the Great Pie War”, the Scallion plays a character referred by Novak (Mr. Nezzer) as the Abbott Costello.
Abbott and Costello were inducted into the New Jersey Hall of Fame in 2009.
A TV movie called Bud and Lou, based on a book by Hollywood correspondent Bob Thomas, was broadcast in 1978. Starring Harvey Korman as Bud Abbott and Buddy Hackett as Lou Costello, the film told the duo’s life story, focusing on Costello and portraying him as volatile and petty.
In 2015 a non profit fan film was produced titled Abbott & Costello Meet Superman. The film was screened at the Superman Celebration Film Festival in Metropolis Illinois. And is currently streaming on YouTube. Abbott and Costello are played by two actors from New York, Aaron M. Lambert and Jake Navatka.
- Zemeckis, Leslie (2013). Behind The Burly Q. Delaware: Skyhorse. ISBN 978-1-62087-691-6.
- Abbott and Costello in Hollywood, ISBN 0-399-51605-0
- “Abbott, Bud; and Costello, Lou”. Encyclopedia Britannica. I: A-Ak – Bayes (15th ed.). Chicago, IL: Encyclopedia Britannica, Inc. 2010. p. 13. ISBN 978-1-59339-837-8.
- The New York Times, Sunday, February 28, 1998
- Sforza, John: Swing It! The Andrews Sisters Story; University Press of Kentucky, 2000; 289 pages.
- “111 Film Toppers earned close to $18 mill in ’42”. Variety. 18 October 1944. p. 6. Retrieved 28 July2016.
- Abbott and Costello Children’s Show 12/18/1948
- Listen to “Who’s on First?” from a 1942 radio performance
- Abbott and Costello performing “Who’s on First?” in 1951 from the Colgate Comedy hour
- Abbott and Costello “Who’s on First?” from USO Command Performance
- Listen to Sidney Fields version of “Who’s on First?”
- Lou’s on First: The Tragic Life of Hollywood’s Greatest Clown Warmly Recounted by his Youngest ChildISBN 0-312-49914-0
- This is your Life Lou Costello
- “Pittsburgh Post-Gazette – Google News Archive Search”.
- Toon Tracker: Laurel & Hardy and Abbott & Costello cartoons
- “The Glasgow Herald – Google News Archive Search”.
- Mickey Rooney Tops List Three Times in a Row: Leads Money-Making Stars Again in 1941; Hollywood Luminaries Pay Capital a Visit; Items of News and Gossip of the Theater The Washington Post (1923-1954) [Washington, D.C] January 2, 1942: 18.
- Bing’s Lucky Number: Pa Crosby Dons 4th B.O. Crown By Richard L. Coe. The Washington Post (1923-1954) [Washington, D.C] January 3, 1948: 12.
- Of Local Origin New York Times (1923-Current file) [New York, N.Y] December 29, 1950: 15.
- “On the Records” (PDF). Billboard. January 10, 1942. p. 14. Retrieved March 11, 2015.
- Dunning, J. On the Air: The Encyclopedia of Old-Time Radio. Oxford Univ. Press (1998), pp. 2-3. ISBN 0-19-507678-8
- Who’s on First? At MSU, it’s Bud and Lou
- Anobile, Richard J. (ed.), Who’s on First?: Verbal and Visual Gems from the Films of Abbott & Costello (1972) Avon Books
- Costello, Chris, Lou’s on First: The Tragic Life of Hollywood’s Greatest Clown Warmly Recounted by His Youngest Child (1982) St. Martin’s Press ISBN 0-312-49914-0
- Cox, Stephen and Lofflin, John, The Abbott & Costello Story: Sixty Years of “Who’s on First?” (1997) Cumberland House Publishing (A revised and updated edition of The Official Abbott & Costello Scrapbook)
- Cox, Stephen and Lofflin, John, The Official Abbott & Costello Scrapbook (1990) Contemporary Books, Inc.
- Dunning, John, On the Air: The Encyclopedia of Old-Time Radio (1998) Oxford University Press
- Firestone, Ross (ed.), “Bud Abbott and Lou Costello” from The Big Radio Comedy Program (1978) Contemporary Books, Inc.
- Furmanek, Bob and Palumbo, Ron, Abbott and Costello in Hollywood (1991) Perigee ISBN 0-399-51605-0
- Maltin, Leonard, The Great Movie Comedians (1978) Crown Publishers
- Maltin, Leonard, Movie Comedy Teams (1970, revised 1985) New American Library
- Miller, Jeffrey S., The Horror Spoofs of Abbott and Costello: A Critical Assessment of the Comedy Team’s Monster Films (2004) McFarland & Co.
- Mulholland, Jim, The Abbott and Costello Book (1975) Popular Library
- Nachman, Gerald. Raised on Radio (1998) Pantheon Books
- Nollen, Scott Allen, Abbott and Costello on the Home Front: A Critical Study of the Wartime Films (2009) McFarland & Co.
- Sforza, John, “Swing It! The Andrews Sisters Story” (2000) University Press of Kentucky
- Sies, Luther F., Encyclopedia of American Radio (2000) McFarland & Co.
- Terrace, Vincent, Radio Programs (1999) McFarland & Co.
- Thomas, Bob, Bud & Lou: The Abbott and Costello Story (1977) J.B. Lippincott Co. (Dual biography featuring a highly unflattering portrait of Lou Costello, contested by friends and family members)
- Young, Jordan R., The Laugh Crafters: Comedy Writing in Radio and TV’s Golden Age (1999) Past Times
|Wikimedia Commons has media related to Abbott and Costello.|
- Bud Abbott at the Internet Movie Database
- Lou Costello at the Internet Movie Database
- Abbott and Costello at the National Radio Hall of Fame
- Abbott and Costello on Way Back When
- Abbott and Costello on Outlaws Old Time Radio Corner
- Laughterlog.com Full listing of A&C on Radio, Film, Television, Record and in Books.
- Official Website
- Abbott and Costello Radio Log
- Official Fan Club
- Abbott and Costello at the Internet Archive
- Zoot Radio, Abbott And Costello Radio Shows
- Abbott and Costello – Who’s on First?