VIDEO of Breaking Benjamin Full Live Concert Bethlehem Pennsylvania (HDNet)
|Also known as||Plan 9|
|Origin||Wilkes-Barre, Pennsylvania, United States|
|Genres||Hard rock, post-grunge,alternative metal|
|Years active||1999–2010, 2014–present|
Breaking Benjamin is an American rock band from Wilkes-Barre, Pennsylvania, founded in 1999 by lead singer and guitarist Benjamin Burnley and drummer Jeremy Hummel. The first lineup of the band also included guitarist Aaron Fink and bassist Mark Klepaski. This lineup released two albums, Saturate (2002) and We Are Not Alone (2004), before Hummel was replaced by Chad Szeliga in 2005. The band released two more studio albums, Phobia (2006) and Dear Agony (2009), before entering an extended hiatus in early 2010 due to Burnley’s recurring illnesses.
The release of a compilation album amid the hiatus, Shallow Bay: The Best of Breaking Benjamin (2011), unauthorized by Burnley, brought about legal trouble within the band resulting in the dismissal of Fink and Klepaski. Szeliga later announced his departure in 2013 citing creative differences. Burnley remained the sole member of the band until late 2014, when the current lineup was announced, including bassist and backing vocalist Aaron Bruch, guitarist and backing vocalist Keith Wallen, guitarist Jasen Rauch, and drummer Shaun Foist. The band afterward released Dark Before Dawn in 2015.
Despite significant lineup changes, the band’s musical style and lyrical content has remained consistent, with Burnley serving as the primary composer and lead vocalist since the band’s inception. The band has commonly been noted for its formulaic hard rock tendencies with angst-heavy lyrics, swelling choruses, and “crunching” guitars. In the United States alone, the band has sold more than 7 million units and yielded two RIAA-certified platinum records, two gold records, and several certified singles, including one multi-platinum, three platinum, and three gold. The band has also produced one number one record on the Billboard 200.
- 7External links
Formation and Saturate (1998–2003)
Benjamin Burnley was originally in a band named Breaking Benjamin in 1998 that played “softer music” such as Weezer and The Beatles covers, and was “nothing like” subsequent lineups. The name originates from an incident in which Burnley broke a borrowed microphone, prompting its owner to retort, “Thanks to Benjamin for breaking my fucking mic.” This band included guitarist Aaron Fink, bassist Nick Hoover, and drummer Chris Lightcap, but soon broke up when Burnley moved to California. After returning to Pennsylvania with drummer Jeremy Hummel, Burnley formed Plan 9, which also included bassist Jason Davoli. Plan 9, a reference to Plan 9 from Outer Space, was continually misnamed as “Planet 9”, therefore the group reclaimed the name Breaking Benjamin from the previous band, as Burnley still had promotional stickers with that name.
Sample of the EP version of “Polyamorous”, as first heard on Fabbri’s radio station in 2001.
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The three-piece first gained attention when Freddie Fabbri, a DJ for active rock radio station WBSX, put the group’s track “Polyamorous” in rotation. After it became the number one requested track on the station, Fabbri financed the recording of the group’s eponymous EP, which sold all 2,000 copies that were printed in 2001. Jonathan “Bug” Price was credited on bass, replacing Davoli. After growing dissatisfied with their previous band, former band mate Aaron Fink and bassist Mark Klepaski joined Breaking Benjamin. In early 2002, over a dozen record companies visited a two-night showcase where Breaking Benjamin was playing, and the group subsequently signed with Hollywood Records. Shortly afterward, Breaking Benjamin began recording their first full-length major-label record, Saturate, which was released on August 7, 2002 and produced by Ulrich Wild. It peaked at No. 136 on the Billboard 200, and was later certified gold on September 25, 2015. In early 2003, Breaking Benjamin participated in the Jägermeister Music Tour, then toured as a supporting act forGodsmack.
Of the little media coverage received, Saturate garnered positive reception, with Jason Taylor from AllMusic stating that the album “has serious potential to become one of 2002’s most successful debuts,” feeling that “although it is repetitive and generic, it is undeniably addictive”, ultimately scoring the album 2.5 out of 5. The disc received a favorable review from Schwegweb’s Vin Cherubino, who noted, “The music has just as much quality as any popular artist in the same genre. Influences from bands such as Tool can be heard, making the music seem all so familiar and palatable.”
We Are Not Alone (2003–2005)
Breaking Benjamin returned to the studio in October 2003 with producer David Bendeth for their sophomore effort We Are Not Alone. Burnley also worked with The Smashing Pumpkins front man Billy Corgan over the course of six days in December 2003 to write the songs “Rain”, “Forget It”, and “Follow”. Despite initially being nervous, Burnley felt it was one of the highlights of his career.
The album was released on June 29, 2004 and sold 48,000 copies in its first week, peaking at No. 20 on the Billboard 200. It was later certified gold on October 21, 2004, then platinum on June 13, 2005. The record features singles such as “So Cold” and “Sooner or Later“, both of which peaked at No. 2 on the Mainstream Rock Songs chart. “So Cold” became a platinum single on September 25, 2015.MTV writer Jon Wiederhorn writes that the initial commercial success of the album can be attributed to a tour two weeks prior to the album’s debut which “generated prerelease buzz”. They later co-headlined a tour with Evanescence, Seether, and Three Days Grace.
We Are Not Alone garnered mixed reviews. It was met with high acclaim from IGN‘s Colin Moriarty, who felt “extremely satisfied,” saying “safely and confidently” that it “might be my personal favorite album of the year,” giving it a score of 9.3 out of 10. Conversely, Exclaim! writer Amber Authier felt that, “On first listen its simply generic sound did nothing for me,” though later admitted, “I listened to Breaking Benjamin several times over a week and several elements of the disc started to grow on me, even appeal to me.” The writer concluded, “Breaking Benjamin created a standard of quality for themselves that they simply couldn’t meet on the entire disc.”
On November 3, 2004, a non-album single named “Blow Me Away” was released, to commercial success, ultimately going gold on November 24, 2015. On November 23, 2004, Breaking Benjamin released the So Cold EP, which features live versions of the songs “Away” and “Breakdown”, a live acoustic version of “So Cold”, and studio acoustic recordings of “Blow Me Away” and “Lady Bug”.
In late 2005, drummer Hummel filed a federal lawsuit against Breaking Benjamin. According to the lawsuit, Hummel requested earlier that year to take a paternity leave to be with his wife during the birth of their first child, to which all members of the band agreed and hired Kevin Soffera as a temporary substitute on drums. However, Burnley later called Hummel and terminated him, citing chemistry issues. In the lawsuit, Hummel contended wrongful termination and lack of compensation for profits accrued by We Are Not Alone and other non-album tracks that appeared inHalo 2 and National Treasure 2. The band’s manager, Larry Mazer (who was also named in the lawsuit), asserted that the lawsuit was “totally frivolous” and his termination had “nothing to do with the paternity leave.” Mazer said the band received no payment for the Halo 2 appearance, adding that the song was included for promotional reasons and Burnley was happy to have it in the video game. The band received minimal payment for the National Treasure 2 appearance, and Mazer stated that otherwise, “[Hummel] is 100 per cent current.” Ben “B.C.” Vaught served as a sit-in drummer for the band, and they later toured with 3 Doors Down and Staind in November 2005. The lawsuit was settled for an undisclosed amount in April 2006.
After the departure of Jeremy Hummel, Breaking Benjamin auditioned fifteen drummers, of whom Chad Szeliga stood out for his ability as a stage performer and the fact that he had “serious problem-solving skills”, according to Burnley. The group’s next album, Phobia, was again produced by Bendeth and was the first to be recorded with Szeliga. The concept of the album is dedicated to Burnley’s various phobias. The cover of the album depicts a winged man suspended over a runway, which represents the singer’s fear of flying. Burnley also suffers from death anxiety, a fear of the dark, driving anxiety, and hypochondriasis. Burnley cites his fear of flying as for why he did not perform overseas, saying, “I’ll go as far as a boat will take me”, though at the time the band’s record label had not facilitated travel by boat.Phobia‘s “Intro” and “Outro” tracks feature sound effects of an airport intercom, airplane turbulance, car doors, and crowd panic.
Phobia was released on August 8, 2006 to commercial success. The album sold more than 131,000 copies in its first week of sales and peaked at No. 2 on the Billboard 200. It went gold on November 8, 2006, then platinum on May 21, 2009. Its lead single, “The Diary of Jane“, peaked at No. 2 on the Mainstream Rock Songs chart and was the fastest single added to radio playlists in the history of Hollywood Records, later receiving a double platinum certification on November 24, 2015. “Breath“, the record’s second single, spent seven weeks at No. 1 on the Mainstream Rock Songs chart, and went platinum on November 24, 2015.The third single, “Until the End“, peaked at No. 6 on the same chart, and became a gold single on February 11, 2014.
In February 2007 in support of Phobia, AXS TV (then known as HDNet) aired a one-hour Breaking Benjamin concert from Stabler Arena in Bethlehem, Pennsylvania. The broadcast recording was included on the re-released Phobia DVD in April, billed as “The Homecoming”. A music video was created for “Breath” which was made from footage of the song’s performance at the show. Breaking Benjamin followed with Spring and Fall tours alongside Three Days Grace, accompanied by Puddle of Mudd during the Spring tour, and Seether, Skillet, and Red during the Fall tour.
Phobia received mixed critical reception. It received praise for general composition and musicianship, but received criticism for a lack of originality. AllMusic’s Corey Apar found the album “nothing if not consistent,” and while generally regarding the disc with positive sentiments, noted a lack of distinction from the “rest of the post-grunge/alt-metal pack” aside from “a certain charm”. IGN’s Spence D. gave the disc a negative review, citing tedium and lack of vocal distinction, feeling that the group’s “intersection of hard rock and emo-oriented introspection” is “not a bad thing, but also not a terribly memorable or earth-shattering one, either.” However, the writer praised the musicianship of Fink, Klepaski, and Szeliga, ultimately giving the album a score of 5.7 out of 10.Entertainment Weekly graded the album C+ and noted its angst-ridden themes, saying, “as pathological angst goes, it’s expertly done, with expansive choruses and epic riffs — not that that matters, when, like, we’re all going to die cold and alone anyway.”
Dear Agony (2009–2010)
Breaking Benjamin began working on a fourth album, titled Dear Agony, in 2009. It was the first album Burnley wrote while completely sober. In 2007, Burnley experienced fatigue and phosphenes following three consecutive days of no sleep and heavy drinking, after which he decided to remain sober. Burnley acknowledged an improved clarity and coherence within Dear Agony due to his sobriety. The album cover features Burnley’s brain scan, representing the recurrent themes on Dear Agony related to the singer’s chronic illnesses caused by alcohol consumption.
Burnley collaborated with then-Red guitarist Jasen Rauch on various tracks for Dear Agony: The two equally wrote together the songs “Without You” and “Hopeless”, and Rauch wrote the outro for “I Will Not Bow”, also helping write “Lights Out”. Burnley said of the collaboration, “I love writing with him because he does stuff exactly like I would’ve done,” adding, “writing-wise, we’re like the same person.”
Dear Agony was released on September 9, 2009, and peaked at No. 4 on the Billboard 200. The disc initially outsold its predecessor in its first week, moving more than 134,000 copies. It ultimately achieved gold certification on February 16, 2010. The album’s lead single “I Will Not Bow” reached No. 1 on the Mainstream Rock Songs chart, and went platinum on November 24, 2015. The other two singles, “Lights Out” and “Give Me a Sign“, peaked at No. 9 and No. 6 on the Mainstream Rock Songs chart, respectively (the latter of which also receiving a gold certification on November 24, 2015).
Breaking Benjamin toured in support of the album in January and February 2010 with Three Days Grace and Flyleaf, then with Red, Chevelle, and Thousand Foot Krutch in March 2010. In April, Breaking Benjamin began touring with Nickelback, Shinedown, and Sick Puppies on theirDark Horse Tour. Prior to the last show of the Dark Horse Tour, Burnley stated he was ill and therefore no longer able to tour in support of the album, placing the band on hiatus. After internet rumors began to circulate that the band had broken up, Burnley released a statement “officially letting everyone know that Breaking Benjamin has not broken up.”
Dear Agony received mixed critical reception. AllMusic’s James Monger gave the album a positive review, stating it “feels a lot like their first three”, noting a consistency that “feels like a well-oiled machine.” The disc received a negative review from Consequence of Sound‘s Alex Young, who complained of over-production and the disc’s sell-out nature at the hands of three-time Breaking Benjamin producer David Bendeth: “Dear Agony is the unfortunate side effect of a trend in ‘producer’ David Bendeth’s world, training wild chimpanzees to be more tasteful whilst handling silverware”, ultimately giving the record a half-star “for teaching Breaking Benjamin’s peers who not to hire for production credit.”About Entertainment gave the record a mixed review, feeling that “Though it lacks the breakthrough singles of Phobia, Dear Agony does have its moments,” adding, “frustratingly, Dear Agony never reaches greatness, settling for an admirable competency that’s still the envy of many of their contemporaries.”
Hiatus and Shallow Bay (2010–2013)
Sample of the remixed version of “Blow Me Away” featuring Sydnee Duran of Valora.
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In March 2010, Hollywood Records requested that the band produce two new master recordings and a greatest hits album, and also sought permission to release a new version of the hit song “Blow Me Away” featuring Sydnee Duran of Valora. In May 2011, Fink and Klepaski granted the record company’s requests after they were offered a $100,000 payment. Burnley, alleging that Fink and Klepaski acted unilaterally on both the song remix and the compilation album, not informing him or the band’s management, fired the two via email, demanding at least $250,000 in punitive fees and compensatory damages, as well as the exclusive right to the name Breaking Benjamin. Fink and Klepaski’s attorneys stated the two “dispute and strictly deny” Burnley’s allegations, instead asserting that a January 2009 agreement (allowing Burnley to dismiss them for “just cause”) was no longer valid because of the singer’s status of indefinite hiatus. The case was ordered by a judge to arbitration. Burnley’s attorney, Brian Caplan, told the Associated Press, “The relationship between Mr. Burnley and the two other members of the band has ended … Mr. Burnley intends on moving forward using the name Breaking Benjamin and the band will continue. It just won’t continue in its prior configuration. He’s not retiring.”
In August 2011, Hollywood Records scheduled the release of the Shallow Bay: The Best of Breaking Benjamin compilation album, featuring every single from the band’s catalog, including the remix of “Blow Me Away”. A two-disc deluxe edition was released alongside it, with the second disc containing altered versions of b-sides and rarities. Burnley publicly opposed the album’s release, saying content had been altered without his consent and did not meet his standards. Burnley later elaborated, saying that the rarities were taken off of his laptop without his consent, and were intended for in-studio reference and not public release, but that he was otherwise content with previously-released tracks on Shallow Bay. The album was released on August 16, 2011 and peaked at No. 22 on the Billboard 200, also topping the Hard Rock Albums chart in 2011, 2012, and 2013. The disc received positive critical reception.The Daily Trojan‘s Krishna Jetti praised it for balance and a progressive retrospective history. AllMusic’s Gregory Heaney felt similarly, saying, “Shallow Bay is a great jumping-on point for new fans, capturing the band at their height delivering some of their best moments in one convenient package. For older fans, this collection may just serve as a reminder of a crucial turning point in Breaking Benjamin’s career.”
In April 2013, Burnley announced that the dispute involving Fink and Klepaski was resolved and that he would retain the right to continue the band under the name Breaking Benjamin. Three days later, Szeliga announced his departure, citing creative differences.
Return and Dark Before Dawn (2014–present)
In August 2014, Breaking Benjamin announced via Facebook that the band reformed as a quintet with, except for Burnley, all new members, including: Dear Agony co-writer Jasen Rauch (guitar, originally from Red); Keith Wallen (guitar and backing vocals, originally from Adelitas Way); Aaron Bruch (bass and backing vocals); and Shaun Foist (drums, originally from Picture Me Broken). Burnley said of the lineup: “Everybody that’s in the band now is deliberately handpicked,” noting that “Keith [Wallen] and Aaron [Bruch] are really, really amazing singers. That’s kind of what the band always needed.” On March 18, 2015, a new single entitled “Failure” as well as a new album, Dark Before Dawn, were announced for release on March 23 and June 23, respectively.
The new lineup debuted with acoustic shows in late 2014, then went on a four-venue winter tour in the north-eastern United States. The band afterward announced 2015 spring, summer, and fall tour dates, supported by bands such as Young Guns and Starset. In July 2015, the band announced their first overseas performance, in which they headlined a four-day cruise venue in February 2016 along with Yngwie Malmsteen, Zakk Wylde, Flyleaf, et al. The band also performed on a joint U.S. tour with Shinedown in October and November along with Sevendust, and proceeded to play further outside of the United States in June 2016 at venues such as the Download Festival in the United Kingdom,Rock am Ring in Germany, and Nova Rock in Austria.
Burnley explained that writing for Dark Before Dawn was intermittent and fragmentary, taking place throughout the hiatus, though it was toward the end of the hiatus in 2013 when it became cohesive. After growing frustrated with the lack of answers regarding his health condition, Burnley decided to abandon searching for a diagnosis and focus on the album. Recorded and produced at a personal studio of Burnley’s,Dark Before Dawn is the first album with the front man credited as the producer. The singer stated that “I would say that I did the same amount of producing on this album as I’ve done on other albums, just never had my name [on it]”, adding, “You know, I’m not doing anything different here than I have done in the past. Why shouldn’t I be known to be doing it?”
Within an hour of pre-order availability, Dark Before Dawn reached No. 1 on the rock albums chart on iTunes and No. 3 on the overall album chart. It sold 135,000 pure album units and 141,000 equivalent album units in its first week, debuting at No. 1 on the Billboard 200, making the album the group’s heretofore most successful sales effort. The disc’s lead single “Failure” spent nine weeks at No. 1 on the Mainstream Rock Songs chart as well.Billboard‘s Jason Lipshutz felt the album’s success was “eyebrow-raising”, noting that, in addition to the band’s lineup change, “135,000 in pure album sales is a hefty number in 2015 — it’s a bigger number than the respective bows of recent Madonna, ASAP Rocky, and Kelly Clarkson albums”. Joe DeTomaso, program director of active rock station WAQX-FM, added that, “They’ve always been a top-level band for the format, but not quite on the level of Disturbed or Shinedown or bands like that. They always seem to put out hit records without getting the kind of recognition that they deserved.”Forbes‘ Hugh McIntyre writes that runner-up Tori Kelly‘s 75,000 copies “puts Breaking Benjamin’s figures into perspective” and that despite “a pretty extensive lineup change, it looks like fans were awaiting their return with open arms.”
The album was met with mostly positive critical reception, many critics praising the album for staying true to the group’s sound, though others criticized it for sounding too similar to previous material. Dan Marsicano from About Entertainment stated, “Burnley could have made his creation just another dose of the glitzy, overproduced crap that is heard on every rock radio station in the world. Instead, Breaking Benjamin hardly deviate from the hooky jams that were present on Dear Agony.” Conversely, AllMusic’s James Monger felt that “it’s hard to conceal the fact that most of these songs are nearly interchangeable with the band’s older material.”Revolver‘s Jeremy Borjon felt that “the music’s true force only becomes apparent through deeper and repeated listenings, as the songs, on the surface, have a tendency to blend into one another.”
“Into the Nothing” (Dear Agony) is an example of the band’s recurrent formula involving “crunchy” guitars, swelling choruses, angst-heavy vocals, and tight construction.
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Breaking Benjamin’s musical style is primarily classified as hard rock and alternative rock, more specifically post-grunge and alternative metal,[a] and has commonly been noted for its consistency. Corey Apar felt that “Breaking Benjamin are nothing if not consistent”, and Alex Young felt that “Breaking Benjamin is one of the few modern rock bands on the radio that, if you have heard any song in its catalog prior, could be immediately recognized.” Despite a complete lineup change prior to the release of Dark Before Dawn, Dan Marsicano stated, “Breaking Benjamin hardly deviate from the hooky jams that were present on Dear Agony. They have had an established sound since their breakout We Are Not Alone — hard-edged riffs with emotional upheaval — and that isn’t tampered with on Dark Before Dawn.”
Their style is described by Apar as “mixing heavy hard rock dynamics with a moody demeanor that never slips into full-on dejection.” Spence D. characterizes the band as “[persisting] in delivering crunching guitars topped off with somewhat generic, angst-ridden [lyrics] that waffle between being plaintive and aggressive” with vocals that “[deliver] just the right amount of emotion, fluctuating between contemplative subjectivity and growling anger.” Young felt that Breaking Benjamin is “indicative of early ’00s modern rock, while also now and then being more Filter-esque or technically proficient, primarily on guitar during 2002’s Saturate, and from then on with bass and drums.”
Burnley is the primary songwriter in the band. Music industry attorney and author Martin Frascogna writes that “it’s unmistakably clear that Burnley started the group, is the creative force behind the group and essentially dictates the group’s decisions.” Bands such as Nirvana, Live, Bush, Pearl Jam, Stone Temple Pilots, and The Beatles have been cited as influences. Burnley remarked in 2009 that while the other band members did contribute, it was “always left up to me to put all the pieces together and make it so that it’s even anything at all.” However, Burnley expressed how he considered Rauch to be his “writing partner” during Dear Agony, and that he looked forward to writing with him in the future. After joining the band in 2014 as part of the new lineup, Rauch provided writing contributions on Dark Before Dawn, writing the intro and outro tracks as well as riffs on two other tracks. Burnley revealed in 2015 that the whole band would write songs for Breaking Benjamin in the future, and that “It just so happens that when they came on board for this album, I was already 95 percent done”, adding, “I’m really looking forward to writing the next one all together.”
Breaking Benjamin’s lyrical content evolved as a product of Burnley’s sobriety, the front man noting that the lyricism in Dear Agony is more thought out. Rito Asilo of the Inquirer writes that Burnley “owes the improved clarity and coherence in Breaking Benjamin’s music to sobriety.” Burnley has said that before sobriety, anything that made sense thematically was a coincidence, and that he would take shots if he were dissatisfied with a lyric. Breaking Benjamin’s lyrics have been noted for their vague, angst-heavy themes, Burnley saying that “I try to keep my writing vague so people can draw their own conclusions.”
Breaking Benjamin’s live sound has corresponded with lineup arrangements. The band originally lacked backing vocalists and tertiary instrumentation, requiring them to rely on pre-recorded tracks during live performances. However, the band was noted for a change in such respects with the second iteration of the band assembled in 2014. Bruch and Wallen were selected in part for their ability as singers, providing all backing vocals on both new studio recordings and during live shows. Burnley noted that it was important to add two new singers in order to replicate vocal techniques such as three-part harmonies, octave range, and layered vocals. Rauch, acting as a third guitarist, provides the band with “more freedom while simultaneously thickening up their live sound”, as some songs feature three guitar parts, layered guitars, or are meant to feature Burnley only performing vocals, such as “I Will Not Bow” and “Lights Out”. Foist utilizes Roland V-Kitelectronic drums during live performances and triggers certain sounds as heard in studio recordings, such as the piano notes in “Breakdown”. Additionally, Rauch is equipped with a Roland GR-55 guitar synthesizer allowing him to play orchestral strings and choir sound effects, further eliminating any reliance on pre-recorded tracks.
- Current members
- Benjamin Burnley – lead vocals, rhythm guitar (1999–present)
- Jasen Rauch – lead guitar, electronic strings, programming (2014–present)
- Keith Wallen – rhythm guitar, backing vocals (2014–present)
- Aaron Bruch – bass, backing vocals (2014–present)
- Shaun Foist – drums, electronic percussion, programming (2014–present)
- Former members
- Chad Szeliga – drums, percussion (2005–2013)
- Aaron Fink – lead guitar (2002–2011)
- Mark Klepaski – bass guitar (2002–2011)
- Jeremy Hummel – drums, percussion (1999–2004)
- Jonathan “Bug” Price – bass guitar (2001)
- Jason Davoli – bass guitar (1999)
- Touring members
- Kevin Soffera – drums, percussion (2004)
- Ben “BC” Vaught – drums, percussion (2004–2005)
- Studio albums
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- However, the band’s recurrent online biography written by AllMusic’s Alex Henderson states of the alternative metal label, “Korn and Tool have also been cited as influences, but unlike Korn, Breaking Benjamin doesn’t have strong hip-hop leanings and isn’t quite alternative metal — hard alternative rock, certainly, but not quite alternative metal.”
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