VIDEO of America Live In Concert In Germany :
Beckley, Peek and Bunnell in 1972
|Genres||Rock, folk rock, soft rock, pop rock|
|Labels||Warner Bros., Capitol,Burgundy|
|Past members||Dan Peek|
America is a rock band, formed in England in 1970 by multi-instrumentalists Dewey Bunnell, Dan Peek, and Gerry Beckley. The trio first met as sons of U.S. Air Force personnel stationed in London, where they began performing live.
America achieved significant popularity in the 1970s, and was famous for the trio’s close vocal harmonies and light acoustic folk sound. This popularity was confirmed by a string of hit albums and singles, many of which found airplay on pop/soft rock stations.
The band came together shortly after the members’ graduation from high school, and a record deal with Warner Bros. Records followed. Their debut 1971 self-titled album America, produced the transatlantic hits “A Horse with No Name” and “I Need You“; Homecoming (1972) produced the single “Ventura Highway“; and Hat Trick (1973), a modest success on the charts which fared poorly in sales, produced one minor hit song “Muskrat Love“. 1974’s Holidayfeatured the hits “Tin Man” and “Lonely People“; and 1975’s Hearts generated the number one single “Sister Golden Hair” alongside “Daisy Jane“. History: America’s Greatest Hits, a compilation of hit singles, was released the same year and was certified multi-platinum in the United States and Australia. Peek left the group in 1977 and their commercial fortunes declined, despite a brief return to the top in 1982 with the single “You Can Do Magic“.
Four decades into their career, the group continues to record material and tour with regularity. Their 2007 album Here & Now was a collaboration with a new generation of musicians who credited the band as an influence. America won a Grammy for Best New Artist at the 15th Annual Grammy Awards. The group has also been inducted into the Vocal Group Hall of Fame and has received a star on the Hollywood Walk of Fame.
Early success (1970–1973)
While their fathers were stationed at the United States Air Force base at RAF South Ruislip near London in the mid-1960s, Beckley, Bunnell and Peek attended London Central High School at Bushey Hall where they met while playing in two different bands.
Peek left for the United States for an abortive attempt at college during 1969. Soon after his return to the UK the following year, the three met and began making music together. Starting out with borrowed acoustic guitars, they developed a style which incorporated three-part vocal harmony with the style of contemporary folk-rock acts, much like Crosby, Stills, Nash & Young.
Eventually the trio dubbed themselves America, chosen because they did not want anyone to think they were British musicians trying to sound American. They played their first gigs in the London area, including some highlights at the Roundhouse, Chalk Farm where Pink Floyd had played at the beginning of its career. Through Ian Samwell and Jeff Dexter’s efforts they were eventually contracted to Kinney Records (UK) in March 1971 by Ian Ralfini and assigned to the UK Warner Brothers label.
Their first album America (1971) was recorded at Trident Studios in London and produced by Ian Samwell. Samwell was best known for being Cliff Richard‘s lead guitarist as well as writing Richard’s 1958 breakthrough hit, “Move It“. Jeff Dexter, Ian’s roommate was involved with the music business himself. He co-produced the album and became the trio’s manager. Dexter also gave them their first major gig, December 20, 1970, at “Implosion” at the Roundhouse, Chalk Farm, as the opening act for The Who, Elton John, Patto and The Chalk Farm Salvation Army Band & Choir for a Christmas charity event. Although the trio initially planned to record the album in a similar manner to The Beatles‘ Sgt. Pepper’s Lonely Hearts Club Band, Samwell convinced them to perfect their acoustic style instead.
The debut album America was released in 1971 to only moderate success, although it sold well in the Netherlands, where Dexter had taken them as a training ground to practice their craft. Samwell and Dexter subsequently brought the trio to Morgan Studios to record several additional songs. One of them was a Bunnell composition called “Desert Song”, which Dexter previously demoed during studio rehearsals in Puddletown, Dorset at the home of Arthur Brown. The song had its public debut at The Harrogate Festival, four days later, to great audience response. After several performances and a TV show, it was re-titled “A Horse with No Name“. The song became a major worldwide hit in early 1972. It sold over one million copies, and was awarded a gold disc by the R.I.A.A. in March 1972. America’s debut album was re-released with the hit song added and quickly went platinum. The album resulted in a second major chart success with Beckley’s “I Need You“, which peaked at No. 9 on the U.S. charts.
After their initial success, the trio decided to dismiss Samwell and Dexter and relocate to Los Angeles, California. The recording of a second album was delayed by the relocation as well as an injury to Peek’s arm. Deciding not to replace Samwell, the group opted to produce the album by themselves. The trio began their move away from a mainly acoustic style to a more rock-music-oriented style with the help of Hal Blaine on drums and Joe Osborn on bass. Peek began to play lead electric guitar on more tracks and the group expanded from an acoustic trio to embrace a fuller live sound, adding Dave Dickey on bass and Dave Atwood (who’d played on their debut album) on drums. By the beginning of 1973, Atwood had been replaced by Dickey’s friend, Willie Leacox, who, like Dickey, was formerly of the group Captain.
America’s second album, Homecoming, was released in November 1972. Awarded a gold disc in December 1972, the million sales figure was confirmed by the R.I.A.A. in 1975. The group reached the top 10 again with Bunnell’s “Ventura Highway“. Other singles, including Peek’s “Don’t Cross the River” and Beckley’s “Only in Your Heart”, were only modestly successful, but the group still won a Grammy Award for Best New Artist of 1972.
The group’s output grew increasingly ambitious. Their third offering, Hat Trick, was released in October 1973 following several months of recording at the Record Plant Studios in Los Angeles. Again self-produced, the album featured strings, harmonicas, an eight-minute title track, and tap dancing. Beckley, Bunnell and Peek were once again joined by Blaine on drums, while Osborn was replaced by their touring bassist, David Dickey. The album was not as successful as Homecoming (1972), featuring only one modestly successful single, “Muskrat Love” (No. 67 in the U.S.). Penned by Texas folk singer Willis Alan Ramsey, Captain & Tennille would take the song to the top 10 in late 1976.
George Martin years (1974–1979)
After the disappointing commercial performance of the album Hat Trick (1973), America chose to enlist an outside producer for their next album. They were able to secure the services of producer George Martin and recording engineerGeoff Emerick, who played a major role in shaping the sound of The Beatles. Sessions took place at AIR Studios in London and Montserrat in the Caribbean.
The resulting album, Holiday, was released in June 1974 (by this time the group had consciously begun naming their albums with titles starting with the letter “H”). With Martin’s guidance, the album’s style was very different from America’s first three efforts, as he enhanced America’s acoustic sound with strings and brass.
The trio soon found themselves in the Top Ten once again with the first single from Holiday, the Bunnell-penned “Tin Man“, which reached No. 4, featuring cryptic lyrics set to a Wizard of Oz theme. “Lonely People” (a song written by the newly-wed Dan and Catherine Peek) followed “Tin Man” into the top ten in early 1975, becoming Dan Peek’s only credited song to reach there, peaking at No. 5.
Martin worked with the trio again for their next LP, Hearts, recorded in Sausalito, California and released in March 1975. America scored its second chart topping success with Beckley’s “Sister Golden Hair” in mid-1975, a song which featured a memorable opening guitar riff admittedly inspired by George Harrison‘s “My Sweet Lord” and frank relationship lyrics admittedly inspired by Jackson Browne. The follow-up single, Beckley’s ballad “Daisy Jane”, also scored among the Top Twenty shortly after. Peek’s reggae-influenced “Woman Tonight” was a third success (number 44 in the U.S.) from the album towards the end of the year.
Warner Bros. released a compilation of America’s best-known tracks in December 1975, History: America’s Greatest Hits, which scored platinum. Martin, who produced the album, remixed those tracks which were culled from the group’s first three albums.
During early 1976, the group recorded its sixth studio album at Caribou Ranch near Nederland, Colorado, inspiring the album’s title, Hideaway, which Martin directed again. Released during April 1976, it saw the band’s popularity severely faltering, as the two singles, “Today’s the Day” and “Amber Cascades“, only managed to reach number 23 and 75 (respectively) in the Billboard charts. Songs like “Jet Boy Blue” and “Don’t Let It Get You Down” received a lot of airplay on FM Stations.
Martin’s implementation of more complex instrumentation on America’s albums proved somewhat overwhelming to the band on stage, often compelling them to switch from instrument to instrument during songs. For their 1976 tour, the group expanded their stage line-up to include Jim Calire on keyboards and sax and Tom Walsh on percussion so that they could more comfortably perform Martin’s arrangements.
Martin and the trio went to Hawaii during late 1976 to work on the group’s seventh studio album. The album was recorded in a beach house on the island of Kauai. The album, Harbor, released in February 1977, continued the trend of decreasing sales for the group. It was their first album that failed to score either platinum or gold, and all three of its singles failed to chart.
In May 1977, Dan Peek left the band. Peek recently had renewed his Christian faith after years of recreational drug use and had begun to seek a different artistic direction from Beckley or Bunnell. The break with the band was amicable.
Peek contracted with Pat Boone‘s Lamb & Lion Records, and issued his first solo album, All Things Are Possible, in 1978. The album, produced by Chris Christian, was successful, and Peek became a pioneering artist in the emerging Christian popular music genre. The title track entered the Billboard pop charts during the autumn of 1979, peaking at number 78.
Meanwhile, Beckley and Bunnell decided to continue as America, ending their contract with Warner Bros. with the release of their first concert LP, Live, during October 1977. Recorded at the Greek Theater in Los Angeles, the performance featured a backing orchestra conducted by Elmer Bernstein. The concert was recorded shortly after Peek left the group. The album was only mildly successful on the popular charts; whereas all of their previous albums, even Harbor, had at least made the Top 30, Live just barely inched into the top 130.
Capitol years (1979–1985)
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After more than two years without new studio material, Beckley and Bunnell presented the group’s new style with a cover of The Mamas & the Papas‘ “California Dreamin’” in March 1979. It was featured on the soundtrack for the 1979 movie California Dreaming. Although the movie was unsuccessful and the soundtrack was issued by an obscure distributor known as American International, the single reached No. 56 on the charts.
America’s first studio album without Peek, Silent Letter, was released in June 1979 on their new label, Capitol Records. The album, once again produced by George Martin, was recorded in Montserrat in the West Indies with the members of the live band: David Dickey, Willie Leacox, Michael Woods, Jim Calire and Tom Walsh. The group began to utilize songs from other songwriters as they sought to increase their commercial success. The album scored no higher than No. 110 on the charts, leading Bunnell sarcastically to dub the album Silent Record. During the latter part of 1979, Calire and Walsh were dropped from the on-stage line-up. Session bassist Bryan Garafalo replaced Dickey in 1980 and Bradley Palmer took over from Garafalo in 1981.
America continued to evolve as the 1980s began. For their next album, Alibi, released in August 1980, Beckley and Bunnell sought fresh personnel in the form of producers Matthew McCauley and Fred Mollin. They also employed players from the West Coast, such as theEagles‘ Timothy B. Schmit, Leland Sklar and Steve Lukather, to help improve their sound. Alibi eschewed the strings and brass of a typical George Martin project in favor of a more popular-rock style. It also became the third studio album in a row without a successful single in the United States, although Beckley’s “Survival” scored the top of the charts in Italy. The album’s sales maximized at No. 142.
America’s next album, View from the Ground, released in July 1982, saw the group finally score another commercial success. The album, recorded under the working title Two Car Garage, featured a number of songs produced by the duo themselves. As with Alibi (1980), Beckley and Bunnell brought in a number of high-profile musicians, including the Beach Boys‘ Carl Wilson, Toto‘s Jeff Porcaro, Christopher Cross and Dean Parks. But it was former Argent guitarist Russ Ballard who had the greatest effect on the group’s fortunes. Ballard produced and played all of the instruments and sang most of the background vocals on a song he crafted especially for the band, called “You Can Do Magic“. The song rose quickly through the pop charts, and scored as high as No. 8 on the Billboard pop singles chart for a number of weeks during October 1982, the band’s first major success in seven years. Following “Magic” was the single “Right Before Your Eyes“, an homage to silent movie actors better known to listeners as “Rudolph Valentino” due to its memorable refrain. Written by Ian Thomas (brother of comedian Dave Thomas of Strange Brew fame), and produced by Bobby Colomby, the single barely missed a spot in the Top Forty during early 1983. Although View from the Ground failed to achieve gold-rated sales, it scored as high as No. 41 on the album charts, a significant improvement over the previous few releases.
Having had some success with Ballard, Beckley and Bunnell decided to have the former Argent performer produce their next album, Your Move, in its entirety. In the end, Ballard wrote most of the songs and performed most of the instruments in addition to his production duties. For the most part, Beckley and Bunnell were singers on an album that Ballard had crafted for them, although they did contribute some material of their own. On one track, Bunnell decided to rewrite Ballard’s lyrics, and the successful song “The Border” was the result. Set to the backing of the Royal Philharmonic Orchestra and the saxophone work of Raphael Ravenscroft, the single scored No. 33 on the charts in August 1983. “The Border” was much more successful on the adult contemporary charts, where it scored No. 4 (even besting “You Can Do Magic”). It also made No. 24 on the Dutch Top 40. A second single, Ballard’s “Cast the Spirit”, failed to chart. The album itself, released in June 1983, was reasonably successful at No. 81, but something of a disappointment, when compared to its predecessor.[according to whom?]
America’s work was also featured on several soundtracks during this period. Beckley and Bunnell provided vocals to several Jimmy Webb compositions for the film The Last Unicorn in 1982. The soundtrack became popular in Germany, and the group frequently plays its title track, when touring in that country. America also recorded “Love Comes Without Warning” for the 1984 Steve Martin comedy The Lonely Guy.
Dan Peek emerged from several years of musical obscurity during May 1984, releasing his second solo Christian album, Doer of the Word, on Home Sweet Home Records. Once again produced by Chris Christian, the album’s title track featured Beckley on backing vocals. Peek would issue two more solo albums over the next few years: Electro Voice (1986) and Crossover (1987).
Meanwhile, America opted for a decidedly different style from its previous offerings for its twelfth studio album, Perspective, released in September 1984. Ballard was out, and synthesizers and drum machines were in. Several different producers, including Richie Zito, Matthew McCauley, and Richard James Burgess, helped create an electronic popular style, that was very common during the 1980s, but drastically different from America’s usual style. “Special Girl“, the album’s first single, was culled from hired songwriters and failed to make the charts. The next single, “Can’t Fall Asleep to a Lullaby”, was co-written by Bunnell, Journey‘s Steve Perry, Robert Haimer, and Bill Mumy, the latter of Lost in Space and Babylon 5 fame. Although neither track was played on popular radio, both did achieve minor success on the adult contemporary charts. The album peaked at No. 185 during a three-week stint on the charts in October 1984.
Their mainstream commercial success over, Beckley and Bunnell ended their Capitol contract with In Concert, released in July 1985. The concert was recorded at the Arlington Theater in Santa Barbara, California, on June 1, 1985. In Concert became the first America album to miss the charts entirely.
Return to basics (1985–1998)
Beckley and Bunnell spent the latter half of the 1980s focusing on their live show, which they performed well over 100 times a year around the world. While America remained a hot ticket on the touring circuit, they were unable to land a recording contract in the years after they left the Capitol label.
By the early 1990s, the development of compact discs led to the reissuing of many older popular albums, providing acts like America with revived sales. During 1991, America was able to offer four new tracks as part of a collection issued by Rhino Records called Encore: More Greatest Hits, which was designed to complement the group’s original 1975 retrospective.
America’s resurgence caught the eye of Chip Davis of American Gramaphone Records, who signed the group to his label. In May 1994, America released its first new studio album in a decade, Hourglass. Produced primarily by Beckley and Bunnell, with help from Hank Linderman and Steve Levine, the album featured an eclectic group of songs. Despite garnering generally positive reviews, the album failed to become successful commercially.
During 1995 Beckley delivered his debut solo album. Entitled Van Go Gan, the album experimented with various styles and sounds. Comedian Phil Hartman (who during his career as a graphic artist had designed several America album covers) was featured as the voice of atelevangelist preacher on “Playing God”. Although it was named as one of the Top Ten Music CDs of the year in Japan in 1995, the album wasn’t released outside Japan until four years later.
America fans were also treated to a concert album in 1995. Released by the King Biscuit Flower Hour Records, Inc., the concert was actually taken from a 1982 installment of the King Biscuit Flower Hour radio show. Known as In Concert (not to be confused with the 1985 Capitol release of the same name), King Biscuit experienced modest success with the album (though America themselves did not: it failed to break the charts).
This success resulted in a new record deal with King Biscuit’s subsidiary label, Oxygen Records. After rumors that Steely Dan producer Gary Katz would produce the project came and went, the album eventually reached stores in September 1998. The new album, entitledHuman Nature after the name of Beckley’s home recording studio, was accompanied by a modest commercial blitz. The first single, Beckley’s “From a Moving Train”, featured a strongly acoustic style. The track received considerable airplay and moderate success in adult contemporary formats. Reports claimed that the song was a major success in the popular charts in Spain. A second attempt at a single in “Wednesday Morning” was somewhat less successful. The album failed to garner the sales that Oxygen was expecting, and America was once again without a record deal.
New millennium (1999–2006)
The next few years saw the group’s catalog expand with a number of side projects, reissues of older albums on CD, and several major retrospective releases. In July 2000, Rhino released Highway: 30 Years of America, a three-CD box set which included 64 remastered tracks spanning the group’s career. Included were a handful of alternative mixes and demos such as an early take of a stripped-down “Ventura Highway”.
A year later, in August 2001, Rhino released a trimmed-down single disc compilation, The Complete Greatest Hits, which assembled all of the group’s 17 charting Billboard singles. The disc also included two newly recorded songs, “World of Light” and “Paradise”. Peaking at No. 152 on the Billboard album charts in October 2001, The Complete Greatest Hits was America’s first charting album since Perspective in 1984.
On the solo front, in February 2000 Beckley released Go Man Go, an album of remixed tracks from Van Go Gan. The original Van Go Gan finally saw domestic release that July with bonus tracks. June saw the roll-out of another Beckley side project, Like A Brother, recorded with Robert Lamm and Carl Wilson under the name Beckley-Lamm-Wilson. Dan Peek resurfaced in 1999 with a new website and his first solo release in many years, Bodden Town.
As part of a contemporary craze for recycling oldies recordings to create new hits, Janet Jackson‘s 2001 single “Someone to Call My Lover” sampled the “Ventura Highway” guitar riff and rose to No. 3 on the Billboard pop charts.
In October 2002, the group released its first Christmas album, Holiday Harmony. Produced by Andrew Gold, the album received positive reviews for its imaginative blending of elements of classic America tunes into familiar holiday standards. Included were three new tracks, including a Bunnell-penned ode to “Ventura Highway” called “Christmas in California”, featuring Beckley on lead vocals. One month later, America released a live album, The Grand Cayman Concert. Recorded the previous April in the Cayman Islands, the concert featured just Beckley and Bunnell on acoustic guitars, a throwback to the earliest days of their career. Included were their most familiar songs along with a few which were almost never performed live, such as “Wind Wave” and “Pigeon Song”. Both albums failed to chart.
After this, the band ceased recording and concentrated on their consistently lucrative touring schedule.
In early 2003 Bradley Palmer left the touring band after twenty two years and was replaced, first by Chas Frichtell, then by Trent Stroh, until Richard Campbell (formerly toured with Three Dog Night, Natalie Cole and Dave Mason) came in permanently.
Record labels occasionally offered new DVDs, such as a re-release of America’s 1979 concert film, Live in Central Park, a 2004 concert at the Sydney Opera House, and a 2005 show at the Ventura, California Concert Theater joined with Stephen Bishop and Andrew Golddirected by Sheldon Osmond. Also in 2005, America appeared on the PBS concert series SoundStage with long-time friend Christopher Cross.
In April 2006, after a few solo concerts, Beckley released his third solo album, Horizontal Fall, which was largely ignored by both critics and buyers. His 2011 follow-up, Unfortunate Casino, met a similar fate.
Recent activity (2006–present)
As the second half of the first decade of the 2000s began, the group remained very much active and popular in the nostalgia concert circuit. Though the group had occasionally issued new material on minor labels, their offerings had been largely ignored by the greater commercial music industry and record-buying public.
However, a fateful connection would provide a sudden and unexpected change in fortune for the group. Around 2005, Beckley began correspondence with Adam Schlesinger of the independent rock music group Fountains of Wayne. Beckley had been a fan of the 2003 Fountains of Wayne album Welcome Interstate Managers, and Schlesinger turned out to be a fan of America’s work. The exchange of songs between the two resulted in them recording a few tracks together. The recordings came to the attention of SonyBMG‘s new Burgundy Records label, which was impressed both by the quality of the material and by the possibility of pairing America with other independent artists. The company contracted America to record a new album with Schlesinger and his musical partner, James Iha, formerly of The Smashing Pumpkins, at the production helm. Entitled Here & Now (2007), it would be America’s first major-label studio album since Perspective in 1984.
The recording sessions at Stratosphere Sound in New York City, which ran through July, attracted a number of notable guest musicians, including Ryan Adams, Ben Kweller, Stephen Bishop, Rusty Young, and members of the groupsNada Surf and My Morning Jacket.
In an effort to aim the album toward both younger and older audiences, the label decided to bundle the new album with a second disc comprising live performances of every track from History: America’s Greatest Hits, previously recorded at XM Radio as part of XM’s Then Again…Live series, recorded with longtime America drummer Wil Leacox, guitarist Michael Woods and bassist Richard Campbell. In the run-up to the album’s scheduled release on January 16, 2007, America attracted publicity unknown to it since the early 1980s. The release itself was well received by critics, and Here & Now went all the way to number 52 in the Billboard charts.
In addition to receiving growing support from a new generation of musicians, America finally began to receive acclamation from the entertainment industry. In 2006 America was inducted into the Vocal Group Hall of Fame. On February 6, 2012, the group was given a star on the Hollywood Walk of Fame for their contributions to music at 6752 Hollywood Boulevard. As of late as 2009, America performed over 100 shows per year.
America’s follow-up to Here & Now (2007) was released on July 26, 2011. Entitled Back Pages, the album was a collection of twelve tracks covering songs from artists ranging from Bob Dylan and Joni Mitchell to Adam Schlesinger and the Gin Blossoms. Released on the E1 Music label, the album was produced by Fred Mollin, who had originally worked with America 31 years before on Alibi. The album was recorded in Nashville, Tennessee with the help of a number of studio musicians. The release of Back Pages was briefly overshadowed by the publicity surrounding the sudden death of founding member Dan Peek on July 24, 2011.
In February 2014 lead guitarist and background vocalist Michael Woods (Woodz) announced his retirement from the band, due to ill health. His replacement was Nashville musician Bill Worrell.
In March 2014 long-time Beach Boys and Brian Wilson vocalist/guitarist Jeff Foskett subbed for Beckley at some concerts and long-time drummer Wil Leacox retired from the band in July 2014 and was replaced by former Reel Big Fishdrummer Ryland Steen.
In November 2014, America recorded a live performance at Infinity Hall in Hartford, CT for Connecticut Public Television that was subsequently aired nationwide in June of 2015, and afterwards streamed online.
During the late summer of 2015, guitarist/keyboardist Andy Barr, from the group Cobra Starship, came in for Worrell, who had just suffered a broken wrist.
From the time Dan Peek left the group in May 1977, and up until his death in July 2011, speculation abounded as to whether he could or would return to the fold. On Peek’s 1978 solo debut album, All Things Are Possible, Beckley and Bunnell sang back-up vocals on the track “Love Was Just Another Word”. According to Peek and Bunnell, in 1983, Peek even joined the group onstage to perform a few songs during a concert at the Greek Theater in Los Angeles. On Peek’s 1984 follow-up album, Doer of the Word, Beckley provided prominent backing vocals on the title track. In November 1999, credible rumors began to spread, that unreleased demo recordings from the early 1980s featuring Beckley and Bunnell collaborating with Peek would be released on CD sometime in early 2000. No such recordings have been released to date.
The questions about a possible reunion of the original trio began not long after Peek left the group. When asked about the prospects for a reunion in the early 1980s, Beckley and Bunnell stated, that they were happy for Peek in that he had found a new life and a new direction, but that it was unlikely there would be a reunion. “All things are possible, like [Dan] says”, Beckley told radio host Lew Irwin in 1982, but “it just doesn’t seem in the cards.” Within a few years, however, Peek had begun to entertain just such thoughts publicly. “Like they said and like I said, all things are possible”, Peek told interviewer Steve Orchard in 1985. “I really have my fingers crossed. I would love to get back together [with them] and do some things.”
Although Beckley and Bunnell had over the years become increasingly firm in their position, that a reunion with Peek was unlikely, and could in fact be counterproductive, record companies tried to persuade them to change their minds. Bunnell noted to Steve Orchard in 1998, that “[w]e had a few labels say that they would be interested in recording us if we would bring Dan back or if we could put together the original trio.” Beckley and Bunnell chose to maintain their decision to remain a duo.
In 2000, Peek began posting a number of weekly “episodes” to his website relating to his experiences prior to and during his years in America. Peek raised a few eyebrows both for his candid discussion of his experiences with drugs and religion and for his observations of Beckley and Bunnell. Eventually, Peek compiled the material into a book entitled An American Band, which was released in late 2004.
Certain sources have suggested erroneously that a reunion with Peek actually did occur. A Rolling Stone rock music discography book, printed during the mid-1990s, contained an apocryphal entry for America stating, that Dan Peek had reunited with Beckley and Bunnell for a tour in 1993 with the Beach Boys. This misinformation has been so widely disseminated, that the Australian rock journalist and historian Glenn A. Baker erroneously assumed this to be true in an interview question posed to Beckley and Bunnell on the Live at the Sydney Opera House DVD.
Furthermore, during an interview airing on June 7, 2010 on the “Steel Pier Radio Show with Ed Hurst” airing on WIBG Radio, Peek was asked about the reunion prospects and more or less ruled them out. The last song Peek recorded was “Kiss Me On the Waves” (2011) with the Spanish band Etcetera, as guest singer. The song was written by Guillermo Albelo and included in the album “Steps On the Water”.
- Current members
- Gerry Beckley – lead and backing vocals, keyboards, guitars, bass, harmonica (1970–present)
- Dewey Bunnell – lead and backing vocals, guitars, percussion (1970–present)
- Former members
- Dan Peek – lead and backing vocals, guitars, bass, keyboards, harmonica (1970–1977; died 2011)
- Current touring musicians
- Richard Campbell – bass, vocals (2003–present) formerly toured with Three Dog Night
- Ryland Steen – drums, percussion (2014–present) former Reel Big Fish drummer
- Bill Worrell – guitars, banjo, keyboards, backing vocals (2014–present)
- Former touring musicians
- David Dickey – bass, backing vocals (1972–1980)
- David Atwood – drums, percussion (1972–1973)
- Willie Leacox – drums, percussion (1973–2014)
- Calvin “Fuzzy” Samuels – bass (1975; substitute for Dickey)
- Jim Calire – keyboards, saxophone (1976–1979)
- Tom Walsh – percussion (1976–1979)
- Michael Woods – guitars, keyboards, vocals (1977–2014)
- Bryan Garofalo – bass (1980–1981)
- Bradley Palmer – bass, vocals (1981–2003)
- Trent Stroh – bass, backing vocals (2003)
- Chas Frichtell – bass, backing vocals (2003)
- “Key member of expat US trio who sang about a nameless horse”. Los Angeles Times. 28 July 2011.
- Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. pp. 307–308. ISBN 0-214-20512-6.
- America chart history, Billboard.com. Retrieved August 30, 2011.
- “Lonely People” compositional info, ASCAP. Retrieved August 31, 2011.
- Corbett, John (May 29, 2004). America Revisited – Part 3, AccessBackstage.com.
- “All Things Are Possible” chart history, Billboard.com. Retrieved August 31, 2011.
- Stephen Thomas Erlewine. “America | Awards”. AllMusic. Retrieved 2015-08-26.
- “Album Tracks: Van Go Gan”. Accessbackstage.com. 2008-09-01. Retrieved 2015-08-26.
- “The Vocal Group Hall of Fame Foundation – Dedicated to Honoring the Greatest Vocal Groups of The World”. Vocalhalloffame.com. Retrieved 2015-08-26.
- “AMERICA | Hollywood Walk of Fame”. www.walkoffame.com. Retrieved 2016-06-14.
- “America”. latimes.com. Retrieved 2016-06-14.
- John Berger (August 7, 2009). “America rides in on ‘horse with no name'”. Honolulu Star-Bulletin. Retrieved July 16, 2011.
- “America – Infinity Hall Live Season 04 Episode 01”.
- Tijs, Andrew (2011-07-26). “Dan Peek of America Dies at 60 – Undercover.fm News”. Undercover.fm. Retrieved 2012-05-01.
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